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Category: BMA News

Regional Art Appreciation Trip

Donors to the Marianna Kistler Beach Museum of Art took off on an adventure as they travel north to Lincoln and Omaha Nebraska. Aileen Wang, Curator, shares her photos and stories of the trip. 

 

 

The first stop of our trip was the Gerald Ford Conservation Center in Omaha, Nebraska, where we got a behind-the-scenes tour of the facilities with Kenneth Bé, the head painting conservator.

 

 

 

Next, we visited Gallery 1516 in Omaha, Nebraska which is a not-for-profit arts organization that is focused on supporting the art scene in Omaha. Their mission is to provide a venue for regional artists to exhibit their work at no charge to the artist. They work with museums, educational, professional, and performing arts organizations to provide a space for traveling exhibitions, educational lectures, music and more. To learn more about Gallery 1516 and Director Patrick Drickey, visit their webpage.

 

While we were in Omaha, we stopped at Kutak Rock, which is a law firm located in the historic Omaha Building. This historic building was Omaha’s first skyscraper built in 1887 and became the location for numerous professionals who set up offices on the upper stories. Despite being entered in the National Register of Historic Places in 1972, The Omaha Building was scheduled to be demolished in 1974. When the deal fell through, the building remained empty for two more years. In 1978, Kutak and his partners purchased and renovated the building for their law firm. It was renovated again in 2006-07 but many original structures were untouched. Kutak Rock has an extensive collection of contemporary art and this picture shows a window in the law firm with the original stenciled glass.

 

 

 

 

 

 

After we visited Omaha, we headed to the Sheldon Museum of Art in Lincoln, Nebraska! The Sheldon Museum of Art is located at the University of Nebraska-Lincoln and is known for its beautiful architecture. There is still a bench in the museum that was a part of the original furniture picked out by architect Philip Johnson in the early 1960’s!

 

Our last stop on the trip was Kiechel Fine Art in Lincoln, Nebraska where we listened to a talk by artist Francisco Souto. He explained what his artwork meant to him:

“A Memory in Peril is a compilation of works in response to the current reality that is affecting my native land. These drawings are visual testimonies of the social, economic and political deterioration that is eroding Venezuela…It is an attempt to offer a voice to the unheard; it is about the people and their humanity in time of adverse reality.”

After Souto’s talk, we watched Kenneth Bé performing a mini concert with a 17th century Italian type of lute, which he has been playing for many decades!

This post was co-written by Aileen Wang and student curatorial assistant Maddie Allen.

To learn more about the becoming a Friend of the Beach Museum or making a gift please contact Linda Duke, Director at lduke@ksu.edu or Tracy Robinson, Development Officer at tracyr@found.ksu.edu.

Want to give online today? You can do so here.

NYC Arts Adventure

Friends of McCain Auditorium and the Marianna Kistler Beach Museum of Art took a special trip to New York. Guests were offered many unique and behind the scene experiences only few get. Follow as curator Aileen Wang shares her stories and pictures.

At the Whitney Museum of Art in New York, we had the pleasure of enjoying the work of Bruce Conner, who was born in McPherson, Kansas and grew up in Wichita. Conner’s Crossroads is a montage of declassified military film footage of the U.S. government’s underwater test explosion of an atomic bomb at Bikini atoll in the Marshall Islands in July 1946, as part of Operation Crossroads. Conner pieced together footage taken from different vantage points and slowed it down, enabling viewers to appreciate the beauty of the mushroom cloud, as well as register the horror of the spectacle. While we were so far away from our homes in Kansas, it was a delight to see such awe-inspiring artwork by a fellow Kansan.

 

Also at the Whitney Museum of Art, we saw Carmen Herrera’s show. Herrera was a woman abstract artist from Cuba, who settled in New York and was active at a time when the abstract art scene was dominated by men. At this show, we had the pleasure of listening to New York Arts Adventure participant and artist Margo Kren talking about her response to Herrera’s works. During the 1970s when Herrera was exploring geometric shapes and lines, Margo, too, was investigating similar ideas, as demonstrated by a painting that she recently donated to the Beach

Photo by Linda Duke

Museum of Art. Stay tuned for when that painting will be on display at the museum! Margo is a prominent Kansas artist based in Manhattan and was the first woman to be promoted full professor at the K-State Department of Art. It was a privilege to hear Margo share her ideas!

 

 

 

As we left the Whitney Museum, some of us headed to the High Line Park next to the museum. The park was built on a historic freight rail line elevated above the streets where art from various artists is displayed. What we found particularly interesting was Zoe Leonard’s “I want a president” piece that is displayed under a bridge. “I want a president” was written by Leonard in 1992, the year that poet Eileen Myles ran for president as an independent candidate.

 

 

 

 

 

On the next day of our trip, we had a studio visit with Chinese American
artist Zhang Hongtu and his artist wife, Huang Miaoling. He is known for his satirical political artwork, and we were honored that he welcomed us to his studio in Queens, New York. Zhang was honored with a major retrospective
at the Queens Museum last year. His works can be found in the collections of Princeton University Art Museum, The Bronx Museum of
the Arts, and many other museums.
Zhang immigrated to New York from Beijing, China in 1982 to study at the
Art Students League and soon called New York City his home. He is internationally renowned for creating works that blend elements of Chinese and Western painting traditions, resulting in a unique style that expresses at once both his Chinese heritage and the American culture he has adopted. One example of that painting can be seen in the front section of his studio, where he welcomed us. The painting adopts the composition of a classic Chinese landscape painting, rendered in a style that reminded us of French Post-Impressionist artist Paul Cézanne.

Zhang is also famous for a sculpture he made called Ping Pong Mao, a ping pong table with cutouts of Communist Party Chairman Mao Zedong’s silhouette. During our visit, we spotted the famous table folded up in the back of his studio and convinced him to bring it out for us. Several people in our group got up the courage to play Zhang’s modified ping pong game. Having big holes in the middle of the table required special attention and finesse. We all had fun with the game, but it reminded us in concrete terms how the authoritarian rule of Mao made it hard for Chinese citizens to live. Even though the interactive sculpture specifically references life in China during Mao’s reign in the 1960s and 1970s, its insight into life under a dictatorship is universal and just as relevant now.


The next stop of our trip was to Brooklyn, New York where we had a studio
visit with artist Enrico Isamu Ōyama. Ōyama represents a contemporary generation with a distinctly global perspective. He was born in Tokyo to an Italian father and a Japanese mother and spent extended periods of time in
North Italy, his father’s home. He has developed a signature style inspired by his love of Tokyo and New York street cultures and graffiti. We were very excited to bring our K-Staters to see this phenomenal artist and his recent work.

 

After the studio visit with Enrico, we got an exclusive tour of the Brooklyn Museum with Sharon Matt Atkins, Vice Director of Exhibitions and Collections, while the museum was closed to the public. One thing that stood out to us the most at the museum was the visible storage facility recently built by the museum. This unique way of storing artwork through see-through glass was one of the many reasons we found the Brooklyn Museum to be so interesting. Sharon gave us a gallery talk of the new show she curated, “Iggy Pop Life Class” by British conceptual artist Jeremy Deller, who won the prestigious Turner Prize in 2004.

 

On the final day of our Arts Adventure Trip, we headed to the West Village to tour “Exhibitionism: The Rolling Stones” with internationally recognized
designer Abbott Miller. Miller is a partner of the world’s largest independent design consultancy, Pentagram, and leads a team designing books, magazines, catalogs, identities, and exhibitions such as The Rolling Stones one that we viewed.

Photo by Ray Coffey

This exhibit features over 500 Rolling Stones items with 50 years of fashion, original artworks and vintage instruments. If you love Rock n’ Roll, this is the place to be. We had so much fun seeing the history of the Rolling Stones and finding the famous and iconic tongue logo all over the exhibit.

This blog was co-written by Aileen Wang, Curator

and Maddie Allen, student curatorial assistant.

To learn more about the becoming a Friend of the Beach Museum or making a gift please contact Linda Duke, Director at lduke@ksu.edu or Tracy Robinson, Development Officer at tracyr@found.ksu.edu.

Want to give online today? You can do so here.


Kerry James Marshall: Mastry

Director Linda (Duke) and I arrived in New York a day before the start of the K-State NY Arts Adventure donors’ trip and took the opportunity to see the Kerry James Marshall retrospective at the Met Breuer. Kerry James Marshall was born in Birmingham, Alabama in 1955 and is known for challenging the marginalization of African Americans through his work. Marshall used his experience in Birmingham and Los Angeles to make visible African American culture and figures in mainstream American art and at the same time, expose African American stereotypes embedded in popular culture.

Photo by Linda Duke

This show, titled Kerry James Marshall: Mastry, is the largest museum retrospective to date and it includes nearly 80 works, 72 of which are paintings. It was exciting to see a Kansas contribution to this important show, represented by a painting loaned by K-State alumni Dick and Gloria Anderson. The painting, acrylic and collage on canvas, is titled Campfire Girls (1995).

Linda and I were inspired to see many people linger for minutes in front of each Marshall work, and hear conversations about details they noticed and what they could mean. People were making connections among the different works also, noting how a particular motif, such as a bird, appeared repeatedly and linked the works scattered throughout the galleries. The conversations germinating around the art demonstrated the power of a master artist like Kerry James Marshall to inspire deep thought and meaningful interaction. What we witnessed reminded us of the important role art, and artists, play in people’s lives.

This blog was written by Beach Museum of Art curator Aileen Wang.