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Beach Blog

Category: Behind the Scenes

Now Open! Civil War Era Drawings from the Becker Collection

The Becker Archive in Boston, Massachusetts, contains approximately 650 previously undocumented drawings by Joseph Becker and his colleagues, nineteenth-century artists who worked as artist-reporters for Frank Leslie’s Illustrated Newspaper. They observed, drew, and sent back for publication images of the Civil War, the construction of the railroads, the Chicago fire, and other important events of nineteenth-century American history. There has been no major exhibition or scholarly survey featuring Civil War drawings since the 1961 centennial, and at that time the Becker Collection had not yet come to light.

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Andrew McCallum, Siege of Petersburg: A Night Attack, March 31, 1865, Becker Collection, Boston, Massachusetts

Civil War Era Drawings from the Becker Collection offers the first opportunity for scholars and enthusiasts to see selections from this important and previously unknown collection, and to appreciate these national treasures as artworks. Part of this traveling exhibition will be displayed at the U.S. Cavalry Museum at Fort Riley through a partnership that will also bring Civil War-related artifacts from the Cavalry Museum to the galleries of the Beach Museum of Art. Later interpretations of the Civil War by John Steuart Curry from the Beach Museum of Art collection will also be featured.

“Civil War Era Drawings from the Becker Collection” is organized by Curatorial Assistance Traveling Exhibitions. Drawings from the Becker Collection premiered at the McMullen Museum at Boston College in the exhibition “First Hand: Civil War Era Drawings from the Becker Collection,” which was organized by the McMullen Museum and underwritten by Boston College and Patrons of the McMullen Museum. This presentation of the exhibition is made possible by the Morgan and Mary Jarvis Wing Excellence Fund and The Ross and Marianna Kistler Beach Endowment for the Marianna Kistler Beach Museum of Art.

Happy Independence Day

Elizabeth Layton Saluting the Flag, 1984

Hoping you have a safe and celebratory 4th of July this year, from the Marianna Kistler Beach Museum of Art.

The Beach Museum of Art’s twentieth anniversary theme, “You Gotta Have Art,” was inspired by the words embroidered on caps worn by Elizabeth Layton and her husband in many of her self-portraits. The caps were gifts from her friend Don Lambert, the Ottawa Herald reporter who discovered her work in 1977 and helped to establish Layton as an important American artist through his writing and curation of exhibitions. The succinct phrase encapsulates how art was a positive force in Elizabeth Layton’s life. After an unstable marriage that ended in divorce, the death of a son, a lifelong battle with manic depression, and thirteen debilitating electroshock treatments, Layton took her first class in contour drawing and discovered how art could help her heal. Her drawings examined universal human experiences such as aging, death, social injustice, and love through the lens of her own life and body. She demonstrated the power of art in forging personal connections and developing understanding and empathy. In the comment book from her 1992 exhibition at the Smithsonian American Art Museum, one visitor wrote: “I am going through a hard time right now and it takes some effort to remember that it’s all a part of life. Your drawings… remind me that other people feel pain and ecstasy, rage and glory. Thank you for celebrating.”

Layton is now represented in the collections of more than one hundred and fifty art institutions in the United States, including the  Smithsonian American Art Museum. She has been the subject of features in Life, People, and on National Public Radio. Lambert facilitated the entry of several Layton drawings into the Beach Museum of Art collection.

The Marianna Kistler Beach Museum of Art will exhibit Elizabeth “Grandma” Layton: You Gotta Have Art October 11, 2016—January 8, 2017.

Reactions to fear of “the other”

Two special exhibitions are allowing us to explore how we react in times of crisis. “Minidoka on My Mind” features images created by Roger Shimomura based on his childhood memories of the Minidoka Japanese American Internment Camp during World War II.  Photographs by Toyo Miyatake in “Behind the Glass Eye” record his experiences in Manzanar.
The experiences of these two artists provide today’s visitors a chance to think about our reactions to fear of “the other,”  something critical for us to be doing when we are facing today’s difficult issues  – from Isis to Black Lives Matter to freedom of speech on college campus.
behing the barbed wire
The above artwork by a middle school student reflects on what she would miss her freedom was taken away.  Below is a photographic montage taken during the open ceremony for the exhibitions by Alan Miyatake, Toyo Miyatake’s grandson which features Guest curators of “Behind the Glass Eye,” Hirokazu Kosaka , a master of Japanese archery, or kyudo, performing an arrow ceremony in honor of all those affected by the Alien Registration Act of 1940.
Toyo wall
This post was written by Kathrine Schlageck, Senior Educator at the Beach Museum of Art.