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Tag: 2017

Wondering about Meaning Part I

This post is part one of a two part blog series, “Wondering about Meaning” written by the Director of the Marianna Kistler Beach Museum of Art, Linda Duke.

Lately I’ve been thinking about the relationship between information and meaning. We live in a time that is commonly described as one of information overload. Information has never been more easily available or felt so overwhelming. Many have observed with concern a tendency to feel indifferent, even when the information we receive describes suffering for which we know we should feel empathy and compassion. I’ve started to think that part of the reason for blunted feeling in the face of information overload is that our minds require meaning, not just information, in order for any of us to respond as a whole person – a person with feelings.  Information interpreted to create meaning feeds our humanity.  Perhaps an analogy might be this: As photosynthesis enables plants to absorb sunlight and create the green chlorophyll that is their defining feature as plants, so the human mind takes information and synthesizes meaning, a defining feature of humans across cultures. An important way humans express, communicate, and discover meaning is through art.

I’ve been involved with art for over 40 years, if I count my time as a student.  I’ve thought quite a lot about art: what art is and does. I’ve pondered the fact that I began to dedicate my life to art even before I could articulate why art matters. I was drawn to the art history I studied, sure, but that still didn’t help me understand why art matters. I had a sense that its value wasn’t just about beauty or, at least, not beauty as popular culture defines it. The more I got involved with art, the more I noticed that my thinking changed, thinking about beauty, yes, but also about art and about thinking itself, as a process.

I believe that meaning is both the alpha and the omega of our relationship with dense information, including works of art. With enough mental exercise in the process of noticing details and wondering about their meaning and purpose, people can learn to enjoy various features of art and to savor the ambiguity and richness of big information in other domains. We can come to enjoy the pleasures of ambiguity instead of finding it frustrating; we become habitual critical thinkers.

Over the years I’ve seen a lot of evidence that supports this premise.  I remember vividly an incident with a group of high school students with whom I was facilitating a series of Visual Thinking Strategies discussions in the galleries of the museum in which I worked.  One teenager had been listening to his fellow students’ interpretations for a long time, staring intently at the somewhat perplexing painting in front of us. He had slumped to a reclining position on the floor and I wondered if he might doze off. “Hey!” he suddenly cried out as he sat bolt upright, stopping the discussion in his excitement. “I just thought of something! Your whole life you could look at stuff and think about it.  And you would NEVER have to be bored!”

So here’s where all of this comes together for me: wondering about meaning. Wondering, not knowing, might be our most fertile mode of conscious thought. Wondering about a work of art is an aesthetic experience, and our notion of aesthetic thought might arguably be expanded beyond art, as the thought mode best suited for dealing with complexity, density, and ambiguity more broadly.  Advanced thinkers in science sometimes use “beauty” to describe their experiences and insights.  Aesthetic thought evidences an almost mathematical calculation that takes unlike bits of observed information and asks, “What might it mean to have this and that at the same time? To have a figure that looks both angry and euphoric? A feature that looks both ancient and futuristic? A microbe that isn’t a bacteria or a virus?” We can count on works of art, along with the frontiers of science and the on-going socio-political challenges of our time, to provide this kind of complexity and ambiguity. I argue that we can use our experiences with works of art to sharpen our thinking strategies for facing and making sense of complexity, ambiguity, and information overload in non-art arenas.  This is the reason why quality art experiences in public education are essential for empowering the future leaders and citizens of our society.

Continue to Part II…

Youth Making a Difference in Environmental Concerns        

This is one in a series of blog posts about sustainability in conjunction with the exhibitions “Thrift Style” and Reclaimed Creations: Sayaka Ganz.”  Virginia Iris Kingery is a junior at Manhattan High School and is volunteering at the Beach Museum of Art.  She is very interested in the idea of sustainability and will be providing blogs on new research, ideas for reducing and reusing in your own home and community, and sharing ideas from area school groups visiting the museum.

When it comes to reusing materials to better the environment, we see many beneficial innovations come from adults. However, there is also plenty of lesser known creativity exemplified among children and teenagers. The ideas from people of different generations on how to reuse the waste that plagues our environment gives us hope for a greener future. One such person is young inventor Ashton Cofer.

Ashton Cofer, 14, became alerted to the issue of styrofoam waste when some of his teammates for an international LEGO robotics competition for youth returned from a trip to Central America and told him about the beaches they had seen that were littered with styrofoam. Stryofoam is a brand name for a material known as extruded polystyrene foam. Polystyrene is a widely used plastic that is very slow to biodegrade due to its chemical makeup. In addition, polystyrene has very little market demand from recycling businesses.

Cofer, a young person already interested in science, decided to make styrofoam the focus of his next experiment. Concerned about the pollution it caused, he wanted to find a way to reuse styrofoam and make it into something useful. Since styrofoam contains carbon, Cofer and his teammates hypothesized that it could somehow be turned into activated carbon, a material with a number of uses including drinking water filtration and air purification. Activated carbon is processed to have small pores low in volume that are useful in allowing contaminates to adhere to it.

Cofer’s team tried applying different chemicals and heating temperatures to the styrofoam in hopes of creating activated carbon. At first, many of their trials failed, resulting in vaporized materials and hard to clean messes. Despite this, they kept trying, and finally created a material that proved to be activated carbon when tested. Of his experimental process, Cofer said,”…although we started with catching my dad’s grill on fire and failing so many times that we almost quit, it was well worth it when we look back at it now. We took a problem that many people said was impossible and we made it possible, and we persevered when it looked like nothing that we did would work. We learned that you can’t have success without a little, or a lot, of failure. So in the future, don’t be afraid if your grill goes up in flames, because you never know when your idea might just catch fire.”

Iris Kingery

 

Sources:

https://www.ted.com/talks/ashton_cofer_a_young_inventor_s_plan_to_recycle_styrofoam

http://www.tigg.com/what-is-activated-carbon.html

Welcome Back K-Staters

Welcome back to campus student and faculty!

The semester has kicked off and the Marianna Kistler Beach Museum of Art has an amazing line up for fall programming. More information and a complete listing of events can be found on the museum calendar.

‘Like’ us on facebook to stay upto date on all public programs and museum news.

FALL 2017 PROGRAM CALENDAR

All events are free, open to everyone and held in the museum’s UMB Theater unless otherwise noted. For events requiring preregistration, call 785-532-7718 or email beachart@k-state.edu. More information at beach.k-state.edu/visit/calendar

International Student Welcome
Saturday, August 26, 2-4 p.m.
Join us for light refreshments and projects inspired by current exhibitions.

Recycled Art Welcome Back Night for K-State students
Thursday, September 7, 5:30-7 p.m.
Create large sculptures from recycled materials to display in the museum. Enjoy activities, door prizes and refreshments.

Public Conversation with Marla Day and Eddie McGinnis
Thursday, September 21, 5:30 p.m.
Public conversation between Marla Day, curator of Kansas State University’s Historic Costume and Textile Museum and guest curator of “Thrift Style,” and author Edie McGinnis, author of Feedsacks! Beautiful Quilts from Humble Beginnings and A Bag of Scraps.

Tallgrass Artist Residency Symposium
Saturday, September 23, 9:30 a.m.-1:30 p.m.
The Tallgrass Artist Residency, with support from the Kansas Creative Arts Industries Commission, is centered in the small community of Matfield Green, KS near the Tallgrass Prairie National Preserve. The symposium features talks by the artists who participated in the current round of residencies.

Celebrating “M is for Math, Museum and Manhattan”
Sunday, September 24, 2-4 p.m.
Join us for a book signing by K-State mathematician and author Natasha Rozhkovskaya, math and art activities for all ages, and a 2:30 p.m. panel discussion related to creating the book.

Presentation by Artist Patty Carroll
Thursday, September 28, 5:30 pm
The museum hosts The Volland Store’s feature artist Patty Carroll, who will talk about her 20-year project Anonymous Women, a photographic series portraying draped female figures alongside furniture, household objects, and fashion accessories. Carroll’s solo show at The Volland Store runs from September 16 through October 14, 2017.

Mural Lab, 706 N. 11th Street
October 5-28
Assisted by a K-State student, artist Enrico Isamu Ōyama creates a mural on the building that houses exhibition sponsor Little Apple Art Supply. Visit throughout the month of October to witness the artist’s progress on this contribution to the Aggieville streetscape.

Art in Motion
Saturday, October 7, 12-4 p.m.
Art in Motion, a celebration of art in the museum parking lot. Concurrent with “Harmony at the ‘Hatt” music festival in Triangle Park, Aggieville district.
Live painting performance by artist Enrico Isamu Ōyama at 2:00 p.m. In Ōyama’s live painting performance he responds in the moment to surrounding people, sounds, atmosphere, and energy. Duration: 30 minutes
Gallery talk and discussion with artist Fidencio Fifield-Perez in Fronteras/Frontiers, Duration: 30 minutes
Make your own print in GraficoMovil, a mobile printmaking studio/gallery created by artist Artemio Rodríguez whose work appears in Fonteras/Frontiers.
Action art activities for all ages-Open to the public

GraficoMovil in Manhattan, Kansas 
October 3-13, 2017
GraficoMovil in Manhattan, a mobile printmaking studio/gallery created by artist Artemio Rodríguez.

  • October 3-6, Beach Museum of Art, during museum open hours
  • Saturday, October 7, Art in Motion, a celebration of art. Beach Museum of Art
  • Sunday, October 8, 1-4 p.m., and Monday, October 9, 9:00 a.m.-4 p.m., Manhattan Public Library

Arcomusical interactive performance
October 10, 11:30 a.m.-12:20 p.m.
Lecture-performance by Dr. Greg Beyer and his Afro-Brazilian ensemble, featuring the berimbau, an instrument long associated with Capoeira. In partnership with the department of Music and made possible in part by a gift from Richard and Martha Seaton.

Film Screening: Stations of the Elevated
Thursday, October 12, 5:30 p.m. 101 Thompson Hall
Stations of the Elevated, film screening presented by Enrico Isamu Ōyama, 101 Thompson Hall, Kansas State University
Ōyama presents this visual documentary on New York subway train graffiti, filmed in 1977 and remastered in 2014. He will discuss why the film inspired him and how graffiti relates to his art.

Aeromural
October 12-26
Aeromural Mark A. Chapman Gallery, Willard Hall, Kansas State University
Aeromural, a work by Enrico Isamu Ōyama uses the sound from spray paint cans to propose a new form of mural, one that occupies space in all directions. In partnership with the Digital and Experimental Media Lab, Department of Art, Kansas State University. Check museum website for opening reception date and time.

KSU Family Day Open House on Sustainability with Recycled Art Workshop
Saturday, October 14, 11 a.m.-1 p.m.
Special guests from K-State Office of Sustainability, Department of Landscape Architecture and Regional & Community Planning, Natural Resources and Environmental Sciences, and K-State Extension program.

Film Screening: Dark Progressivism 
Thursday, October 26, 5:30 p.m.
Dark Progressivism, film screening presented by director/producer Rodrigo Ribera d’Ebre, 101 Thompson Hall, Kansas State University.
Dark Progressivism is a riveting inside look at Los Angeles graffiti and tattoo art from the 1980s to the present. The film addresses the influence of street gangs on these arts and introduces some of the artists who work in this medium. Don’t miss this chance to discuss the film with its writer and director!

Dia de los Muertos/Day of the Dead altar workshop
Saturday, October 28, 1-2:30 p.m.
Learn more about this seasonal celebration, help create a public altar at the museum for a 10/30-11/2 celebration, and make items to take home. Reservation required, cost $3 per participant, all ages welcome

Dia de los Muertos/Day of the Dead celebration
Thursday, November 2, 5:30-7 p.m.
Explore the traditions of this Mexican holiday. Light refreshments will be served.

Artist talk by Sayaka Ganz
Thursday, November 9, 5:30 p.m.
Ganz will talk about the environmental concerns that motivate her to incorporate discarded plastic objects in her wild life sculpture in “Reclaimed Creations.” Reception to follow.